None of this is particularly rocket science, as I’m sure you’ve caught on to. Substitutions of spirits, bitter and aromatized wine that basically hew to the basic Negroni formula are often quite tasty, and great springboards for experimentation.

Last time I was at the venerable Vessel* in Seattle, bartender Jim Romdall made me a lovely, spicy, bracing Negroni variation using a very different style of gin, the aforementioned Gran Classico Bitter, and a different vermouth to kick up the spice and bitterness profile a notch.

Ransom Old Tom Gin comes from Ransom Spirits in Oregon, and is their recreation of one possible expression of the 18th and 19th Century style of gin known as “Old Tom.” It’s lightly sweetened, sweeter than a London dry style, where the juniper is not so forward as in the latter. I’m not sure of the botanicals that go into Ransom, but they provide a nice, peppery spice profile, and the color comes from an amount of barrel-aging roughly equivalent to what the gin might have picked up while being shipped over from the Old Country in barrels. They developed the spirit in collaboration with writer, historian and monarch of the Hereditary Principate of Drunkistan, David Wondrich. If you’re looking to recreate a spirit from the mid-1800s, he’s probably your man. Or prince. Or … well, you get the idea.

Ransom works wonderfully in a Negroni, and Jim kicked it up with the new bitter on the block as well as my second-favorite vermouth after Carpano Antica, most coincidentally made by the same folks.

Feel free to vary the proportions to adjust to your preferred level of sweetness; this is just a guideline.

I don’t remember what Jim called it, but it was probably something like this:

RANSOM NEGRONI
(as served by Jim Romdall at Vessel, Seattle)

1-1/4 ounce Ransom Old Tom Gin.
1 ounce Gran Classico Bitter.
1 ounce Punt E Mes.
Orange peel.

Stir with ice for 30 seconds, strain into a chilled coupe, garnish with the orange peel. You know the drill.

* – Vessel is currently closed, having lost their lease at the old location. They’re working hard to reopen in a new space (which I think will have parking, yay!) by late spring or early summer 2011. That’s a grand reopening party I don’t want to miss.

I’ve been a fan of The Frames for a long time (since seeing them in Ireland before their first album came out), and naturally followed that into Glen Hansard’s solo performances and his collaboration with Czech pianist and singer Markéta Irglová as The Swell Season. You may remember they won that Best Original Song Oscar last year, right? First time a song has actually deserved it in years.

My friend Steve was reviewing the show for Variety and kindly offered to bring me as his plus-one (read his review here). After several uncertain moments regarding misplaced will-call tickets that made me worry we’d miss the show entirely, we finally got in the door thanks to a very nice and helpful manager at the theatre, only having missed about half of Josh Ritter‘s wonderful opening set. That was a nice surprise; I didn’t know he’d be playing support until we got there. If you haven’t heard of him I highly recommend you check him out — he’s an Idaho-born singer and songwriter in the folk and folk-rock vein, lesser-known here but huge in Ireland, mostly thanks to Glen having spotted him early on and championed his work.

When The Swell Season finally took the stage it’s as if we got three shows in one — Glen and Markéta began solo, as their previous performances had been, and then were joined by The Frames as a backup band. For one large part of the set we were treated to Glen performing solo (including a great rendition of Van the Man’s “Astral Weeks,” which I’ve heard him do before and could hear him do again a hundred times) — we could have all been on Grafton Street.

Markéta did get to take a few turns on lead vocals (including one with a Czech singer whose name escapes me), and although her piano playing is a strong part of the band’s sound I do agree with Steve’s observation that it’s a bit of an uneven musical partnership. Glen’s definitely way out front, with Markéta sometimes feeling like a sideman. She’s a wonderfully talented musician but the force of her personality is no match for Glen’s — almost nobody’s is, really. He’s a powerhouse, and I agree with Damien Dempsey’s comment that Glen’s the most passionate singer he’s ever seen.

Glen had mentioned that thanks to someone giving him the complete DVD box set of “Freaks and Geeks” he had become a huge fan (yay!), and to top that off got a chance to meet Jason Segal at a gig. They remained in touch and became friends, and we got an extra-special L.A. treat when Jason came on stage, sat at the piano and performed his own composition — a deeply moving, heartfelt and introspective song about using his celebrity status to coax a willing female Swell Season fan from the audience into the sack. I’m pretty sure this video was shot by the person sitting right in front of me.

And yep, apparently that’s really his phone number.

The show ended on a pitch-perfect note, with Glen bringing up The Clancy Brothers and noting that Liam Clancy is the only one left alive. He did a Clancy Brothers song for us, a traditional number called “The Parting Glass” that I actually first learned from the singing of The Voice Squad. It’s a longtime favorite and one that never fails to get the tears welling up.

Last year when Glen and Mar won their Oscar I came up with a cocktail in their honor, one that included both Irish and Czech ingredients. Wes and I revisited it the other night, and it’s still a keeper, I think. Yet another Manhattan variation, but it works and it’s tasty.

THE SWELL SEASON COCKTAIL

2 ounces blended Irish whiskey.
1/2 ounce Becherovka.
1/2 ounce Punt E Mes.
1 dash Angostura bitters.
Lemon peel.

Combine with ice, stir for at least 20 seconds and strain into a chilled cocktail glass. Express the oil from the lemon peel and add as garnish.

For the Irish whiskey, I recommend Jameson’s or Tullamore Dew, especially the 12-year-old varieties. Otherwise, your favorite blended Irish will do nicely.

Finally, check out this terrific video clip Mary sent me — it’s from a Swell Season concert in Houston. Glen likes to have people sing along, and he’ll usually do a little run-through of the parts that require audience singing. He heard a voice in the crowd that he liked so much he invited her on stage to sing it with them.

Wow. I wanna go up on stage and sing with The Swell Season! I guess I’d better start practicing.

Greetings, felicitations and welcome to MxMo 39! Entries are beginning to trickle in, and I expect a veritable flood of them as the day goes on. Besides posting your entry on your own blog, please post a comment to this topic (and as a backup, email me at mr.sazerac at gmail dot com), and please try to do so by midnight tonight — well, at least in your time zone. I won’t start doing the roundup until tomorrow, and I hope to have it up by Wednesday.

In case you missed the announcement post here or MixologyMonday.com, the theme for this month is amaro — bitter liqueurs generally intended to consume after a meal as a digestive, typical of but certainly not limited to Italy, and the use of those bitters in cocktails. Why did I choose this topic? Because over the last several years I have become an amaro freak.

It’s been a long journey since 2000, when I took my first sip of Fernet Branca — such a baptism of fire for my first experience with amaro! Sadly, no camera was present to capture the look on my face after taking my first sip, nor was a recorder running to note what was certainly some choice language. In the ensuing years, after samplng more gentle amari and working my way up, I finally had my amaro epiphany, which was the day when I started drinking Fernet Branca not strictly for medicinal purposes after overindulging my tummy, but for pleasure and enjoyment. Now my amaro collection is pretty decent, if I do say so myself (and ripe for expansion): Amaro Abano, Amaro Cora, Amaro Meletti, Amaro Mio Lorenzo Inga, Amaro Montenegro, Amaro Nonino, Amaro Ramazzotti, Amaro di Santa Maria al Monte di NIcola Uignale, Amer Boudreau, Amer Picon Club, Aperol, Averna, Campari, Cynar, Fernet Branca, Gammel Dansk, Jeppson’s Malört, Maraska Pelinkovac, Suze, Torani Amer, Underberg and Zwack Unicum … plus one more which is my most recent acquisition.

Borsci Elisir San Marzano was one I’d seen passing references to but had never tried until a few bottles showed up at The Wine House, one of my two major spirits emporia and where a significant chunk of my paycheck is deposited every other week. I took it home, poured some into our nice little amaro sipping glasses, and lit up. It’s on the milder end of the amaro spectrum, more hefty than Montenegro, which is my mildest, but one that I thought might be appealing to amaro newbies. The bitter herbs and sweetness are in perfect balance, but there’s a lot more going on in this liqueur — dried fruits, especially figs and plums, touches of chocolate and coffee as well. The liqueur’s been around since 1840, developed in Puglia, Italy by Giuseppe Borsci in the tradition of herbal liqueurs developed by European monks.

I looked it up and found interesting recipes on Borsci’s website, although none for cocktails, oddly enough. The first recipe (which I also found in its listing on LeNell’s website was to soak fresh cherries in it, which sounds fantastic. Grapes were recommended for soaking in a simliar fashion, and there was a fascinating procedure for layering almond-stuffed dried figs with chocolate flakes in a jar, then filling with Borsci amaro. There was Borsci tiramisù, Borsci birthday cake, Borsci over strawberries and even over ice cream. All looked good, yet still no cocktails. I seem to have stumbled across my first dessert amaro.

However, it’s recommended chilled or in long drinks as an aperitivo, plus at room temperature as an excellent digestivo, which after several such after-dinner tipplages I can assure you it is, although not as powerfully medicinal as some other amari. After my first sips, though, I started thinking about how I’d use this in a cocktail.

The first thing that came to me was a Manhattan variation. There are several such variations out there that feature various amari (The Red Hook and Little Italy, both favorites, to name two), but it seemed to me that this amaro would work particularly well with a powerful rye base. The hints of chocolate in the this amaro’s flavor base led me to want to pair it with something similar, but by no means did I want this drink to be too sweet, or gods forbid, something desserty. Flavors that would lend itself to an after-meal cocktail, sure, or a lead-in to dessert, but not a “dessert cocktail” per se. Crème de cacao, even the less cloyingly sweet version from Marie Brizard, would be right out, and the only ingredient that seemed right was, oddly enough, something I had never tasted.

Those of us who are bitters fanatics have been waiting with bated breath for the eventual release of the products being developed and produced by the one of the newer cocktail bitters companies, Bittermens. They’d been working on a tantalizing and exciting range of products ranging from “tiki” bitters to hop/grapefruit to pecan bitters, but the one that got my scalp tingling in anticipation was their “Xocolatl Mole” chocolate spice bitters. As they described them: “Inspired by the classic Mexican chocolate mole sauce, this bitters recipe highlights tequila, aged rum and whiskey cocktails. Try substituting these bitters in a Manhattan, or adding to a Margarita.” Holy crapola. I was tremendously excited to hear about this, and disappointed to hear of delay after delay due, oddly enough, not to difficulties vetting them with the TTB, but with local and state health and production permits. And after tasting the Borsci, even though I had never tasted Bittermens Mole Bitters, I knew this was just what my tentative Borsci cocktail needed. (Unless I was completely wrong.)

To add to my frustration, Bittermens sent out a number of samples to bartenders (naturally) and to a few cocktail writers, none of which included me. (Well, other folks to get higher readership, so it made perfect sense.) That didn’t help my writhing jealousy as I read my friend Paul Clarke’s glowing review of his sample of these bitters a year ago January. I was Chartreuse with envy, but knew I just had to wait. Once my taste of Borsci came along, I must confess I grew more impatient — this stuff would go great with Borsci in a cocktail, I just knew it. Bittermens posted periodic updates, and it looked as if we’d finally be able to get our hands on a fully released product a bit later this year … but not in time for my idea for a drink that would be perfect for the MxMo topic I suggested for my turn to host.

Well, all ended well with Wes’ and my long-overdue visit to see all our friends in Seattle in April, and Paul very graciously and generously offered me a small sample from his sample bottle of bitters so I could see if my idea would work. Y’know what? It worked. I’m just a lucky so-and-so … thanks a million, Paul!

I was pretty happy with the drink as I had conceived it, but thought it needed one more little boost, just a tad of Cherry Heering to offer that compementary cherry flavor, I hope without making it too sweet — we get more than enough of that from the amaro itself, and the vermouth. I first tried it with Carpano and while the flavor was good the sweetness was a bit past the line for me. I was much happier with Punt E Mes and its more bitter edge. I also took some advice from bartender Don Lee, who offered this bit of advice regarding another amaro-based drink I was working on — add a tiny pinch of salt. Bingo.

I’m pretty happy with this, and as the Manhattan got to be named after a borough in New York, and as I was lucky enough to get to create a drink named for part of Los Angeles a while back, I wanted to have one named after my own neighborhood.

So … I must confess that it’s a bit unfair that you can’t quite make this drink yourself yet, unless you get to one of a number of bars that have Bittermens Xocolatl Mole Bitters on hand (that’d be Zig Zag and Vessel in Seattle; Alembic, Absinthe, Coco 500 and Range in San Francisco; Death & Co., Milk and Honey, Little Branch, PDT, Bourgeois Pig, Mayahuel or Tailor in NYC; Eastern Standard, Drink, Hungry Mother or Craigie on Main in Boston; or Montgomery Place, The Lonsdale, Milk and Honey or The Purple Bar at the Sanderson Hotel in London) or unless you get invited to Paul Clarke or Robert Hess’ house to name but two, you’ll have to wait until July to try this drink the way I envisioned it — that’s when Bittermens plans to finally release their product (yay!). That’s only six weeks away, though, and I think it’ll be worth the wait. Don’t worry, I’ll noodge you again when the time comes. [UPDATE: Consider yourself noodged. Bittermens is widely available at finer spirits shops and via mail order -- just look in the Google.]

Use a big rye for this. We’re deeply, madly in love with the bonded 100 proof Rittenhouse rye, which is a fantastic product, priced between $16-18 and without a doubt the best rye value on the market. After that try Wild Turkey 101 rye, and we’re even tempted to give this one a go with Thomas Handy.

The Eagle Rock Cocktail

2 ounces Rittenhouse 100 proof bonded rye whiskey.
1/2 ounce Punt E Mes.
1/2 ounce Amaro Borsci San Marzano.
1 scant barspoon Cherry Heering.
2-3 goodly dashes Bittermens Xocolatl Mole Bitters.
Tiny pinch of salt.

Combine with ice in a mixing glass and stir for 30 seconds. Strain into a chilled cocktail glass and garnish with a Luxardo cherry.

I love one of these after work, and I also liked it after dinner, leading into a big chocolate dessert — I thought it was a lovely transition. Then again, as I write, I’m enjoying one before dinner too. I hope you enjoy it too. If you have a hard time finding Bittermens bitters locally you can mail-order them; I suppose you could substitute but that cacao spice you get from the Bittermens really does make this drink.

To all the participants in MxMo Amaro, thanks for all your entries so far! We tried a couple last nigiht and got luxuriously toasted. Everyone else, please get your entries posted on your own sites with a comment here by midnight tonight, and I’ll get to work on the roundup.

[N.B. - This post has been revised since its original publication.]

Yeah, I know I haven’t posted since Mardi Gras. Yeah, I know I’m a lazy bastard. God Emperor of Procrastination. Now, let’s move on and have a drink.

Wes was just grabbing bottles and letting ideas burble forth in his head the other night, and came up with this really delicious drink inspirted by the Perfect Martini. I couldn’t find anything in CocktailDB with this particular combination of ingredients, so in the amazingly unlikely case that nobody’s thought of it, we need to try to get him to name it. He’s thinking of it, and I’ll update with a picture tonight. In the meantime …

[Hours pass by.]

Okay, I think the drink has been officially named now. I suggested this one, which is only fair, since Wesly came up with the brilliant name for what was to become my Réveillon Cocktail, when I was just about to give it a really, really stupid name.

“Anodyne” means something that relieves or eliminates pain, and it was particularly appropriate as he came up with the drink while suffering a bout of pretty nasty neck and shoulder pain. (He was being persnickety, after a bit of googling revealed that a “true” anodyne is only applied externally; I said, “It’s a great name, so hush,” or something like that.) It’s also the name of Uncle Tupelo’s final album, and they’re one of my favorite bands of all time, so we get an extra level of oomph in the name.

Try to avoid substituting. Use Lillet and Punt E Mes, and don’t swap out the gin for something less intense. The cocktail works best with the specified ingredients, and they’re common enough.

The Anodyne Cocktail
(by Wesly Moore, Los Angeles, 2009)

2 ounces Beefeater gin.
1 ounce Lillet blanc.
1/2 ounce Punt e Mes.
3 dashes Regans’ Orange Bitters No. 6.
Orange peel.

Combine ingredients with ice. Stir for 30 seconds and strain into chilled cocktail glass.

Flame the orange peel over the drink, and garnish with the orange peel.

This is really, really tasty.

As Eric Felten writes in the WSJ, small amounts of Fernet Branca in cocktails are the way to go for a lot of folks, substituting it for aromatic bitters like Angostura.

He writes of the Fanciulli Cocktail, basically a 2:1 Bourbon Manhattan swapping 1/4 ounce Fernet Branca for the 2 dashes of bitters, up or on the rocks. (I’d garnish that sucker with a big oily twist of orange, me.)

If you need it spelled out:

Fanciulli Cocktail

2 ounces Bourbon.
1 ounce sweet vermouth.
1/4 ounce Fernet Branca.

Stir and strain, up or on the rocks.

We’ve done this with rye, but didn’t know the Bourbon version had a name. I’ll give it a shot this way, but I’ve become an insane amaro lover. We drink Fernet on its own (and as the base spirit in Old Fashioneds), which apparently impresses Felten: “Though some of the herbs, roots and barks that go into it are common enough in bitter drafts — cinchona, orris, gentian — the flavors are so powerfully concentrated that the stuff is almost impossible to choke down straight, which is why it has been used as a morning-after shock to the system.”

Sheesh, I’ve never had any in the morning. I’m more of a Brandy Milk Punch kinda guy in the morning.

UPDATE, 7:34pm: Wes made Fanciulli Cocktails tonight using George T. Stagg Bourbon (at 144.8 proof, woof!), Punt E Mes and, of course, Fernet. It’s a hell of a thing.