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Stay Up Late: A good idea, AND a highball!

One more excellent cocktail instructional video by Shlomo M. Godder, produced for the bar Dutch Kills in New York.

It’s a lovely-looking highball, a gin fizz amplified with a bit of Cognac — very refreshing. I like the technique used by the bartender here. Rather than straining the shaken ingredients directly into the ice-filled Collins glass and then topping with soda (as many people would do, and which would require additional swizzling to avoid having a layer of plain soda water sitting on top) he adds the soda to the other half of the shaker, giving it a gentle swirl to combine and then pouring into the ice-filled glass — already mixed! Nice.

STAY UP LATE
(from The Stork Club Bar Book, by Lucius Beebe, 1946)

1-1/2 ounces Plymouth gin.
1/2 ounce Cognac.
3/4 ounce fresh lemon juice.
3/4 ounce simple syrup.
3 ounces soda water.

Combine in a cocktail shaker with one piece of ice and shake for 10 seconds. Strain into the smaller half of the mixing tin and add the soda.

However, today you might want to celebrate Tax Day (we’re hoping you got refunds) with an Income Tax Cocktail, which is easy-peasy — basically it’s a Bronx cocktail with aromatic bitters added. In fact, I think you should have every cocktail mentioned in this post this evening.

 

Royal Smile

Here’s another in the series of four marvelous videos produced for the New York bar Dutch Kills by Shlomo M. Godder.

ROYAL SMILE
(adapted from The Artistry of Mixing Drinks, by Frank Meier, 1934)

1 ounce gin.
1 ounce apple brandy.
3/4 ounce fresh lemon juice.
3/4 ounce real pomegranate grenadine.

Combine with cracked ice and shake for 10-12 seconds. Strain into a chilled cocktail coupe, and garnish with two thin slices of apple on the edge of the glass.

 

The Negroni Variations, Part 2: Ransom Negroni

None of this is particularly rocket science, as I’m sure you’ve caught on to. Substitutions of spirits, bitter and aromatized wine that basically hew to the basic Negroni formula are often quite tasty, and great springboards for experimentation.

Last time I was at the venerable Vessel* in Seattle, bartender Jim Romdall made me a lovely, spicy, bracing Negroni variation using a very different style of gin, the aforementioned Gran Classico Bitter, and a different vermouth to kick up the spice and bitterness profile a notch.

Ransom Old Tom Gin comes from Ransom Spirits in Oregon, and is their recreation of one possible expression of the 18th and 19th Century style of gin known as “Old Tom.” It’s lightly sweetened, sweeter than a London dry style, where the juniper is not so forward as in the latter. I’m not sure of the botanicals that go into Ransom, but they provide a nice, peppery spice profile, and the color comes from an amount of barrel-aging roughly equivalent to what the gin might have picked up while being shipped over from the Old Country in barrels. They developed the spirit in collaboration with writer, historian and monarch of the Hereditary Principate of Drunkistan, David Wondrich. If you’re looking to recreate a spirit from the mid-1800s, he’s probably your man. Or prince. Or … well, you get the idea.

Ransom works wonderfully in a Negroni, and Jim kicked it up with the new bitter on the block as well as my second-favorite vermouth after Carpano Antica, most coincidentally made by the same folks.

Feel free to vary the proportions to adjust to your preferred level of sweetness; this is just a guideline.

I don’t remember what Jim called it, but it was probably something like this:

RANSOM NEGRONI
(as served by Jim Romdall at Vessel, Seattle)

1-1/4 ounce Ransom Old Tom Gin.
1 ounce Gran Classico Bitter.
1 ounce Punt E Mes.
Orange peel.

Stir with ice for 30 seconds, strain into a chilled coupe, garnish with the orange peel. You know the drill.

* – Vessel is currently closed, having lost their lease at the old location. They’re working hard to reopen in a new space (which I think will have parking, yay!) by late spring or early summer 2011. That’s a grand reopening party I don’t want to miss.

 

Cocktail of the Day: The Perfect Pear

(Catching up yet again with stragglers that never made it into the big Cocktail Index …)

I first tried this cocktail in September of 1999 on our first visit to Absinthe Brasserie & Bar in San Francisco. I liked it a lot, and came across the original recipe somewhere (now apparently lost in the depths of the web).

It was fairly typical of the type of cocktail I was drinking at the time (vodka-based, oy) but a pretty good use of vodka. As much as we may deride vodka in cocktails, it has its place and uses, one of which is to smooth out and extend the flavor of a sweet liqueur while cutting the sweetness (such as in the Gypsy cocktail), or in this case taking a strong fruit brandy and maintaining that flavor while lightening and extending it somewhat. A bit of lime juice for tartness, a touch of orange juice for smoothness and a bit of sugar to sweeten it up. Nice cocktail. In fact, at a cocktail party Wes and I threw the following year, this was one of the most popular drinks we made all night, and even then I was tweaking the recipe. “More pear brandy!” cried my friend René.

I put this cocktail aside for years, and as I was going through my old Gumbo Pages cocktail and beverages page looking for stray recipes that hadn’t gotten integrated into the Looka! cocktail index I came across this one. I do love pear brandy (or eau-de-vie; these are the clear, dry fruit brandies, not super-sweet liqueurs that are called “brandy” as a misnomer), and I love the crisp flavor of pears in the fall. I also wondered what I could do to bring this drink up a bit, more in line with my current tastes.

Well, first thing — replace the vodka with gin. Guh. That always works.

Except … it doesn’t. Not always.

It’s true, there are myriad vodka cocktails that can be vastly improved by replacing the vodka with gin, and I do it all the time. It’s bitten me in the ass on a couple of occasions, though. I recall a dinner at MiLa in New Orleans a few years ago in which I read the ingredients of a particular drink on their cocktail menu and instantly knew that it would be much better with gin than vodka, and I ordered it with that substitution.

Guess what. It wasn’t that good.

I finished it and asked for another, this time made by the original recipe. It was a lot better.

Given that experience I approached a vodka-to-gin tweak of the Perfect Pear with an arched eyebrow. So the other night I substituted Plymouth gin, a wonderful English gin with a lighter profile than a London Dry, and sipped the result.

Holy hell. That was really, really good.

This cocktail has been on the menu at Absinthe for many years, but a check of the current cocktail menu on their website shows that it’s dropped off. I suspect that this is because they have a new bar manager, now that longtime Absinthe bartenders Jeff Hollinger and Jonny Raglin have moved over to the restaurant’s new venue, the Comstock Saloon. (I’ll bet they’ll still make it for you if you as, though.) If you want to make this cocktail at home the way it was originally done at the restaurant, use vodka … and lemon juice instead of lime.

(Note on the vodka: Don’t spend a fortune on something like Grey Goose or any of those so-called “premium vodkas” if you’re just going to mix it in a cocktail. If you’re a vodka connoisseur and you drink it chilled and neat, that’s one thing. If you’re going to mix it, I guarantee that you won’t be able to tell the difference between a fifty dollar premium vodka and a good quality vodka almost a fifth its price. For the money and the quality I highly recommend Sobieski vodka from Poland.)

The Perfect Pear
(adapted from Absinthe Brasserie & Bar, San Francisco, c. 2000)

1-1/2 ounces Plymouth gin.
3/4 ounce pear eau-de-vie (I used Purkhart).
2 teaspoons fresh lime juice.
2 teaspoons orange juice.
1 teaspoon simple syrup.

Combine with ice in a shaker and shake for 10-12 seconds. Strain into chilled cocktail glass.

 

Cocktail Racqueteering

This delicious cocktail, dating from 1893, was contributed to a recent Liquor.com article by David Wondrich.

This drink demonstrates how one small, simple addition can completely transform a cocktail. Remove the teaspoon of crème de cacao and it’s an old-school 2:1 Martini (which I frequently enjoy with orange bitters, as was the old method). Put it back in, though, and hat hint of sweetness, that subtle whisper of chocolate — an amount so small that it might take you a moment to realize what you’re tasting — and the perfect flavor combination of chocolate and orange … yum!

Use this old idea to fuel your own experimentation. What can you do to your favorite classic cocktails by the addition of just a barspoon of a liqueur or amaro? For instance, a Daiquiri made with Scarlet Ibis rum and with the addition of one barspoon of Averna is now one of my favorite cocktails, thanks to my friend John Coltharp, currently bartending at Copa d’Oro and The Tasting Kitchen. I have no idea what he calls it (I’ll have to ask him), but I’ve been calling it the Sicilian Daiquiri.

Now … it’s love-love, and it’s your serve.

THE RACQUET COCKTAIL

2 ounces Plymouth Gin
1 ounce Noilly Prat Dry Vermouth
1 teaspoon white crème de cacao (Marie Brizard, preferably)
2 dashes orange bitters

Stir with cracked ice for at least half a minute, then strain into a chilled cocktail glass. Garnish with a thin slice of lemon peel, twisted over the top and dropped into the drink.

The Racquet Cocktail is a cousin of both the Martini and the Twentieth Century Cocktail (swap the vermouth for Lillet, add lemon juice and up the cacao a bit, roughly). If you haven’t tried the latter, please do so.

Speaking of Wondrich, he will soon regale us with another magnificent tome called Punch: The Delights (and Dangers) of the Flowing Bowl. (Pre-order at this link or, preferably, pick it up on its publication date of November 2 at your nearest independent bookseller.) You can now also harass follow him on Twitter and that monstrously big social network that’s having the movie made about it this year, not to mention his own shiny new website, The North Gowanus Institute for Cranial Distempers.

 

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