 
 "Eating, drinking and carrying on..." -- Adelaide Brennan
Mixology Monday XXXIX: Amaro. Greetings, felicitations and welcome to MxMo 39! Entries are beginning to trickle in, and I expect a veritable flood of them as the day goes on. Besides posting your entry on your own blog, please post a comment to this topic (and as a backup, email me at mr.sazerac at gmail dot com), and please try to do so by midnight tonight -- well, at least in your time zone. I won't start doing the roundup until tomorrow, and I hope to have it up by Wednesday. 
In case you missed the announcement post here or MixologyMonday.com, the theme for this month is amaro -- bitter liqueurs generally intended to consume after a meal as a digestive, typical of but certainly not limited to Italy, and the use of those bitters in cocktails. Why did I choose this topic? Because over the last several years I have become an amaro freak. It's been a long journey since 2000, when I took my first sip of Fernet Branca -- such a baptism of fire for my first experience with amaro! Sadly, no camera was present to capture the look on my face after taking my first sip, nor was a recorder running to note what was certainly some choice language. In the ensuing years, after samplng more gentle amari and working my way up, I finally had my amaro epiphany, which was the day when I started drinking Fernet Branca not strictly for medicinal purposes after overindulging my tummy, but for pleasure and enjoyment. Now my amaro collection is pretty decent, if I do say so myself (and ripe for expansion): Amaro Abano, Amaro Cora, Amaro Meletti, Amaro Mio Lorenzo Inga, Amaro Montenegro, Amaro Nonino, Amaro Ramazzotti, Amaro di Santa Maria al Monte di NIcola Uignale, Amer Boudreau, Amer Picon Club, Aperol, Averna, Campari, Cynar, Fernet Branca, Gammel Dansk, Jeppson's Malört, Maraska Pelinkovac, Suze, Torani Amer, Underberg and Zwack Unicum ... plus one more which is my most recent acquisition. 
Borsci Elisir San Marzano was one I'd seen passing references to but had never tried until a few bottles showed up at The Wine House, one of my two major spirits emporia and where a significant chunk of my paycheck is deposited every other week. I took it home, poured some into our nice little amaro sipping glasses, and lit up. It's on the milder end of the amaro spectrum, more hefty than Montenegro, which is my mildest, but one that I thought might be appealing to amaro newbies. The bitter herbs and sweetness are in perfect balance, but there's a lot more going on in this liqueur -- dried fruits, especially figs and plums, touches of chocolate and coffee as well. The liqueur's been around since 1840, developed in Puglia, Italy by Giuseppe Borsci in the tradition of herbal liqueurs developed by European monks. I looked it up and found interesting recipes on Borsci's website, although none for cocktails, oddly enough. The first recipe (which I also found in its listing on LeNell's website was to soak fresh cherries in it, which sounds fantastic. Grapes were recommended for soaking in a simliar fashion, and there was a fascinating procedure for layering almond-stuffed dried figs with chocolate flakes in a jar, then filling with Borsci amaro. There was Borsci tiramisù, Borsci birthday cake, Borsci over strawberries and even over ice cream. All looked good, yet still no cocktails. I seem to have stumbled across my first dessert amaro. However, it's recommended chilled or in long drinks as an aperitivo, plus at room temperature as an excellent digestivo, which after several such after-dinner tipplages I can assure you it is, although not as powerfully medicinal as some other amari. After my first sips, though, I started thinking about how I'd use this in a cocktail. The first thing that came to me was a Manhattan variation. There are several such variations out there that feature various amari (The Red Hook and Little Italy, both favorites, to name two), but it seemed to me that this amaro would work particularly well with a powerful rye base. The hints of chocolate in the this amaro's flavor base led me to want to pair it with something similar, but by no means did I want this drink to be too sweet, or gods forbid, something desserty. Flavors that would lend itself to an after-meal cocktail, sure, or a lead-in to dessert, but not a "dessert cocktail" per se. Crème de cacao, even the less cloyingly sweet version from Marie Brizard, would be right out, and the only ingredient that seemed right was, oddly enough, something I had never tasted. Those of us who are bitters fanatics have been waiting with bated breath for the eventual release of the products being developed and produced by the newest cocktail bitters company, Bittermens. They'd been working on a tantalizing and exciting range of products ranging from "tiki" bitters to grapefruit and pecan bitters, but the one that got my scalp tingling in anticipation was their "Xocolatl Mole" chocolate spice bitters. As they described them: "Inspired by the classic Mexican chocolate mole sauce, this bitters recipe highlights tequila, aged rum and whiskey cocktails. Try substituting these bitters in a Manhattan, or adding to a Margarita." Holy crapola. I was tremendously excited to hear about this, and disappointed to hear of delay after delay due, oddly enough, not to difficulties vetting them with the TTB, but with local and state health and production permits. And after tasting the Borsci, even though I had never tasted Bittermens Mole Bitters, I knew this was just what my tentative Borsci cocktail needed. (Unless I was completely wrong.) To add to my frustration, Bittermens sent out a number of samples to bartenders (naturally) and to a few cocktail writers, none of which included me. (Well, other folks to get higher readership, so it made perfect sense.) That didn't help my writhing jealousy as I read my friend Paul Clarke's glowing review of his sample of these bitters a year ago January. I was Chartreuse with envy, but knew I just had to wait. Once my taste of Borsci came along, I must confess I grew more impatient -- this stuff would go great with Borsci in a cocktail, I just knew it. Bittermens posted periodic updates, and it looked as if we'd finally be able to get our hands on a fully released product a bit later this year ... but not in time for my idea for a drink that would be perfect for the MxMo topic I suggested for my turn to host. Well, all ended well with Wes' and my long-overdue visit to see all our friends in Seattle in April, and Paul very graciously and generously offered me a small sample from his sample bottle of bitters so I could see if my idea would work. Y'know what? It worked. I'm just a lucky so-and-so ... thanks a million, Paul! I was pretty happy with the drink as I had conceived it, but thought it neede one more little boost, just a tad of Cherry Heering to offer that compementary cherry flavor without making it too sweet -- we get more than enough of that from the amaro itself, and the vermouth. I'm pretty happy with this, and as the Manhattan got to be named after a borough in New York, and as I was lucky enough to get to create a drink named for part of Los Angeles a while back, I wanted to have one named after my own neighborhood. So ... I must confess that it's a bit unfair that you can't quite make this drink yourself yet, unless you get to one of a number of bars that have Bittermens Xocolatl Mole Bitters on hand (that'd be Zig Zag and Vessel in Seattle; Alembic, Absinthe, Coco 500 and Range in San Francisco; Death & Co., Milk and Honey, Little Branch, PDT, Bourgeois Pig, Mayahuel or Tailor in NYC; Eastern Standard, Drink, Hungry Mother or Craigie on Main in Boston; or Montgomery Place, The Lonsdale, Milk and Honey or The Purple Bar at the Sanderson Hotel in London) or unless you get invited to Paul Clarke or Robert Hess' house to name but two, you'll have to wait until July to try this drink the way I envisioned it -- that's when Bittermens plans to finally release their product (yay!). That's only six weeks away, though, and I think it'll be worth the wait. Don't worry, I'll noodge you again when the time comes. Use a big rye for this. We're deeply, madly in love with the bonded 100 proof Rittenhouse rye, which is a fantastic product, priced between $16-18 and without a doubt the best rye value on the market. After that try Wild Turkey 101 rye, and we're even tempted to give this one a go with Thomas Handy. 
I love one of these after work, and I also liked it after dinner, leading into a big chocolate dessert -- I thought it was a lovely transition. I hope you enjoy it too, once those bitters come out! In the meantime, maybe try it with a dash of Fee's Whiskey Barrel-Aged Bitters, but that cacao spice you get from the Bittermens really does make this drink. To all the participants in MxMo Amaro, thanks for all your entries so far! We tried a couple last nigiht and got luxuriously toasted. Everyone else, please get your entries posted on your own sites with a comment here by midnight tonight, and I'll get to work on the roundup. Permalink.[ Link to today's entries ]
The Monteleone Cocktail. (My entry.) Well, here's hoping this drink gets to be called this for good. As you may recall from previous posts over the past couple of weeks, the Monteleone Hotel in New Orleans is hosting a cocktail contest for their new signature drink, in honor of the 60th anniversary of their legendary and venerable Carousel Bar. The competition will no doubt be as stiff as the drinks, so wish me luck! While I wasn't really using the hotel's other signature drink, the Vieux Carré, as a jumping-off point, I did want to have rye as a base spirit. As it turned out, there's a slight similarity between the drinks in some of the proportions, but this goes off in a different direction, with a balance of bitter and sweet and spicy and malty that Wes and I both really liked. Here's hoping you like it too (not to mention the contest judges!). 
The rye is there to provide a solid foundation of whiskey and spice, and is there for New Orleans. I was fascinated by the combination of whiskey and genever, which the malty, whiskey-like characteristic of this genever in particular. (My original idea was to try this with Ransom Old Tom Gin, a new barrel-aged Old Tom co-developed by David Wondrich, which I tasted in Seattle and went mad for, but it's not available yet.) I wanted an aromatized wine as a moderator, and the newly-imported Dolin Blanc is a fantastic product I've fallen completely in love with. It's a sweet white vermouth, along the lines of a bianco from Cinzano or Martini & Rossi but with a really tremendous flavor, and with the sweetness held back a bit. The Averna is because I love amaro, because wanted a pleasantly bitter element which the Dolin helps balance well, and also to honor the Sicilian heritage of Signor Antonio Monteleone, the founder of the hotel. Peychaud's for spice and for the city, and as I was trying out early incarnations and got close, we thought it needed one little extra bit of brightness, which the orange bitters provide. Well, that's my story, anyway, and I'm sticking to it. If it doesn't win I'll still keep making it, and it'll just get renamed. Maybe I'll call it the Antonio, after Signor Monteleone. But let's not get ahead of ourselves; I'd rather it be called the Monteleone. [ Link to today's entries ]
|
| Several of my friends and loved ones (and a few kind strangers) contribute regularly to this weblog, providing links, comments and sometimes lots more. Thanks to Wesly Moore, Mike Luquet, Mary Herczog, Steve Hochman, Dave Schmerler, Nettie DeAugustine, Diana Schwam, Andy Senasac, Michael Yasui, Steve Gardner, Michael Pemberton, Steve Kelley, Barry Kelley, Eric Labow, Tom Krueger, Greg Beron, Sean Burke, Shari Minton and Barry Enderwick. |
chuq's links | the gumbo pages
creole and cajun recipe page | search this site
chuck taggart | email chef (at) gumbopages (dot) com
|
This site ©1994-2009 by Chuck Taggart. All rights reserved. Unauthorized duplication prohibited. |
|
This means that you may not copy my writing onto other web
pages or anywhere else without my specific written permission. (Quotes of
short passages, properly attributed, may be considered fair use.)
If you do copy my work and pass it off as your own, it's called "stealing"
and "plagiarism". People who steal my stuff will be étoufféed and served to Dr. Lecter, with a nice Chianti. (I'm serious. Just don't do it. Thanks.) |
