(Catching up yet again with stragglers that never made it into the big Cocktail Index …)

This anise-scented variation on our local beloved milk punch comes from Chef Susan Spicer of Bayona and Herbsaint restaurants) and features Herbsaint, New Orleans’ original absinthe substitute. While you may substitute Pernod, Ricard, or any pastis or anise liqueur for the Herbsaint, if you want this to be truly New Orleanian you’ll use la vraie chose.

Herbsaint Original, the 1934 recipe

You’ll especially want to use Herbsaint Original, with the above label. Over the years Herbsaint’s formula changed, but in late 2009/early 2010 the Sazerac Company reproduced Marion Legendre’s original 1934 recipe — deeper, richer and with a broader, more complex herbal base.

You are, of course, welcome to use actual absinthe as well, but then if you used absinthe or pastis it wouldn’t be Brandy & Herbsaint Milk Punch, would it? (Well, all you’d have to do is change the name, but still.)

This punch is terrific when the weather starts to turn crisp in autumn and for the holiday season as well, but New Orleanians are fond of milk punches year-round. This would be great at breakfast or brunch, for a pre-dessert nog, or just for a party. Here’s the version to serve in The Flowing Bowl:

Brandy & Herbsaint Milk Punch

2 quarts cold milk
3 cups brandy
1/2 cup Herbsaint
1/2 cup superfine sugar

In a large bowl, mix all ingredients and stir to combine. Add more sugar or brandy to taste. Chill. Pour into a large punch bowl with a large block of ice and serve cold, topped with freshly grated nutmeg.

Serves 16-20.

… and if you’re only making one or two, the single-serving version:

1-1/2 ounces brandy or bourbon
1/4 ounce Herbsaint (especially Herbsaint Original)
1/4 ounce simple syrup
4 ounces whole milk or half-and-half

Shake with ice and strain into a punch cup, and garnish with freshly grated nutmeg.

Today we celebrate life in, and the continuing existence of, that incomparably wonderful place, the city of New Orleans.

Five years ago today, a fearsome hurricane on the Mississippi Gulf Coast but what should have been a run-of-the-mill hurricane of low-to-moderate strength in the city of New Orleans, came ashore. By the time the force of the hurricane reached the city the winds were only Category 2 and even down to a Category 1. There was some damage and lots of rain, but the city itself weathered the hurricane relatively well. The initial reaction was that “we dodged a bullet.”

Then the levee and floodwall system, designed and built by the U.S. Army Corps of Engineers, failed.

Here’s how it happened, demonstrated via an animated graphic from the Times-Picayune.

A very concise description of how fast things happened once the floodwalls and levees failed comes from the excellent Twitter feed of Crystal Kile, aka DJ Poptart at WTUL in New Orleans:

With all of the breaches, some neighborhoods flooded to the rooftops in minutes.

Even where the flooding was slower, further from the sites of the breaches, the water rose approximately 0.3 m (1 ft) every 10 minutes.

The lake level equalized with the floodwaters at midday on September 1, 2005. [That's three days later.]

The failure of the levees and the flooding of New Orleans during Hurricane Katrina on August 29, 2005, represent the first time in American history that engineering failure has brought about the destruction or near-destruction of a major U.S. city.

There are five-years-later posts and articles all over the internets — there’s not a lot I can add. I wasn’t there until five weeks later, but I certainly had my own experiences with my family’s home. There are a couple hundred thousand other stories just like it (and, on the five-year anniversary, a hundred times more than that — that’s 20,000,000 — in Pakistan at the moment, which I simply cannot get my head around). Just look around and you’ll find plenty. But I do want to point you in a couple of directions.

First off, continuing to run on HBO this weekend is Spike Lee’s excellent documentary “If God Is Willing and Da Creek Don’t Rise”, a sequel to the one he did four years ago in the immediate aftermath of the Federal Flood, “When The Levees Broke: A Requiem in Four Acts.”

Then tomorrow is the one-night-only theatrical premiere of Harry Shearer’s long-awaited documentary film “The Big Uneasy,” which we will not miss.

Harry’s film will pull no punches, spelling out the reasons for the disaster (man-made, not natural as it was on the Mississippi Gulf coast), talking to New Orleans residents and whistle-blowers from the Corps of Engineers. As one prominent scientist said, had the floodwall and levee system worked as it was supposed to, the worst that Hurricane Katrina would have inflicted on New Orleans was “wet ankles.”

The odd tidbit of news about “The Big Uneasy” this weekend is that Harry, a longtime contributer to National Public Radio, submitted an ad to NPR for the film, which NPR subsequently rejected. The very brief ad stated that the movie was about “why New Orleans flooded.” According to NPR, “the language violated FCC guidelines.” However, they would allow the ad to say the movie was about “New Orleans and Hurricane Katrina.” Harry said, “The bickering went on for days.” I would like to see an explicit explanation of exactly how that language violated FCC guidelines.

Harry calls shenanigans on the explanation as well. “The FCC won’t let you say what your movie is about?” The NPR lawyers declined to offer any further explanation. Perhaps it’s because they’re Nice Polite Republicans?

“The Big Uneasy” plays in theatres tomorrow night only, August 30, in these theatres nationwide and at the following theatres in the Los Angeles area:

The Bridge 18, 6081 Center Dr, LA
The Grove 14, 189 The Grove Dr, LA
The Americana 18, 322 Americana Way, Glendale
The Culver Stadium 12, 9500 Culver Blvd, Culver City
Foothill Cinema 10, 854 E Alosta, Azusa
Agoura Hills 8, 29045 Agoura Hills Dr, Agoura Hills

Call for showtimes.

New Orleans has come a long way in five years, but still has a long way to go.

Yes, we’re all still alive over here — traveling again, and more. Let’s jump back in and talk about some important stuff. First …

Some of you may be familiar with Dan Baum’s excellent book Nine Lives: Death and Life in New Orleans. It traces the true stories of nine New Orleanians from different parts of the city, vastly different circumstances and levels of New Orleans society and culture. Their stories begin 45 years ago with Hurricane Betsy and take them through the disaster of Katrina, the Federal Flood and beyond. It’s excellent, and I recommend it without reservation.

Some of you may also be fans of New Orleans singer and songwriter Paul Sanchez, who’s one of my very favorite musicians. Paul and his wife Shelly lost everything in the flood of nearly five years ago, but after having gone through the heartbreak and difficulties physical, emotional and financial have picked up and carried on with life in an amazing way. Paul’s life and singing are full of joy and love; he’s been making an amazing amount of music in the last five years, and it’s all terrific.

Let’s take a little musical interlude, shall we?

Paul’s been doing some writing with Los Angeles-based writer Colman DeKay over the last few years — they co-wrote the title track of Paul’s album Exit to Mystery Street and several other songs, and now they’re working on a project that’s got me very excited.

Colman and Paul have picked up the rights to adapt Nine Lives into a musical. I’ve heard several of the songs, and they are amazing. Truly amazing.

The first step is to make a CD of the songs, then … “all the way to Broadway,” as Threadhead Records founder Chris Joseph says. Let’s hear a bit more about the project from Chris and Paul:

In order to do this, they’re going to need some money.

Threadhead Records is perhaps the world’s first non-profit, volunteer-run record label. Their sole aim is to raise funding to help get great New Orleans musicians make records and get them out to the people. Threadhead needs our help with this one, folks — it’s a big project.

Fortunately they’re in line for a $50,000 grant from Pepsi’s “Refresh Project,” but in order for them to be eligible for the money, they need our votes! Go to this URL:

Register at the site. Don’t worry about spam — I’ve been participating in this for a while and I haven’t gotten any. Once you’re registered, vote for the Nine Lives Project. The important thing to remember is that once you click “vote for the project” you’ll be redirected to a login screen. Once you register and log in you will be redirected back to the main page, where you HAVE to click, “vote for the project” AGAIN in order for your vote to count. This is really important — a lot of votes went uncounted until people realized this!

It’s getting down to the wire; only the top ten get the cash and Nine Lives has been as low as #15. We’re up to #8 as of today, so we need to keep the momentum rolling.

UPDATE! Dan Baum himself visited the comments section (wow!) and said that you can vote TEN times a day, as long as you let an hour or so go between votes. So vote early and often! Vote now, and tomorrow, and every day until the end of the month. It’s legal! It’s not as if it were a congressional election in St. Bernard Parish or something.

If we’re successful you’ll be rewarded with a monumental work of New Orleans music, telling some great stories with some great songs. One of the things that’s helped people through the last five years in New Orleans is a ton of great music — mo’ music, mo’ betta!

If you’ve been attentding any of Paul’s recent shows you may well have heard versions of some of the songs. You can also preview one of the songs at Paul’s site — scroll through the music player at the bottom of the browser window until you get to one called “Feel Like A Lady,” with vocals by John Boutté (the song is based on the story of JoAnn from the book and captures one of the character’s pivotal scenes beautifully).

Thanks for helping out, y’all.

Mon, July 19, 2010: UPDATED with 28 more songs!

We’re not going to Tales of the Cocktail this year. (Waah.)

Vacation time and annoying little details like money didn’t quite work out, so I wish all my friends and readers who are going a GREAT time … and I don’t want to hear a single thing about it, or it’ll drive me crazy. Internet blackout for me! No Twitter! What I will do is find a great bar (which will, I hope, have left a few bartenders behind that aren’t going to Tales) and quaff some cocktails.

My friend Stevi, who does the excellent cocktail weblog Two At The Most, asked me if I could come up with a playlist to help people prepare for getting to Tales next week, which I thought might be fun. (I can’t help but shamelessly mention that there was that New Orleans box set I did a while back that was pretty good …)

I thought about how much I and so many other people enjoyed HBO’s superb New Orleans-based TV series “Tremé” this past year, and included a number of artists and songs featured on that show. If you’re a “Tremé” fan you’ll like this little quickie compilation, which I put together on iTunes using their iMix feature. It’s entitled “Tales of the Cocktail ’10 Prep!”

So, you can buy the whole list, or pick a handful that you might want to hear, or if you have an extensive NOLA music collection use the list and drag the songs into a new playlist on iTunes, whichever you like. (Alternately, you can just ignore it and make your own!) One annoying hitch — I made a 100-song playlist, and for some reason iTunes truncated it to 72 the first time I tried to upload it, so I’ve had to break it up into two playlists. There should be widgets below to take you to iTunes, but in case it doesn’t render properly here are the direct links: (Part 1, Part 2) Look for the full printed list after the break.

Continue reading …

Threadhead Records have released a new single entitled “Nobody Knows Nothin’,” performed by the Preservation Hall Jazz Band with Clint Maedgen, along with John Boutté, Susan Cowsill, Craig Klein, Bill Lynn, Gregory Menoher, Margie Perez and Paul Sanchez, and written by John Boutté, Bill Lynn and Paul Sanchez. Proceeds will benefit Gulf Aid, a 501(c3) nonprofit corporation established in response to the biggest oil spill in US history just 50 miles off of the Louisiana coast, and are distributed to organizations focused on supporting wetlands/coastal environmental issues & the well-being of fishermen, and the regional seafood industry.

To purchase the digital download of the song, and to help with the oil cleanup efforts, go to threadheadrecords.bandcamp.com. The song will also be available soon on iTunes.

While you’re at it, check out the song “It Ain’t My Fault,” by Mos Def and Ben Jaffe, along with Lenny Kravitz, Trombone Shorty and the Preservation Hall Jazz Band, also to benefit GulfAid.org:

Buy it now on iTunes!